#The vatican tapes 2015 trailer archive
#The vatican tapes 2015 trailer series

On his own, Mark Neveldine has also produced Officer Downe (2016) and Urge (2016), while Taylor went on to make the mass insanity film Mom & Dad (2017) and create the splendidly deranged tv series Happy! (2017-9) and the Dystopian future mini-series Brave New World (2020). I canвЂ™t say I have ever had much liking for Neveldine/TaylorвЂ™s films, which seem to be all frenetically paced action sequences filled with constant shakycam as though directed by two speed freaks. They also wrote the scripts for Pathology (2008) and Jonah Hex (2010). Along with his partner Brian Taylor, Neveldine first co-directed the hyper-adrenalised action hit Crank (2006) and its sequel Crank: High Voltage (2009), as well as the sf film Gamer (2009) and the Marvel Comics adaptation Ghost Rider: Spirit of Vengeance (2012). But frankly it leaves everything that came before feeling like a lightweight Exorcist knock-off.The Vatican Tapes was the first solo film from Mark Neveldine, who was previously one half of the directing duo who billed themselves variously as Neveldine & Taylor or Neveldine/Taylor. It's a big, intriguing ending that's remarkably chilling. But the film ends just as everything builds up a real head of steam. Screenwriters Christopher Borrelli and Michael Martin ambitiously steer the film into a properly outrageous direction that's packed with implications and possibility. So it's a bit frustrating that the story's final act is such a change of pace. In Scott and Amedori, the film also has two characters the audience can sympathise with: the frightened tough guy and the quietly emotional nice guy. As the three priests, Pena, Andersson and Hounsou don't have much to do, but they add subtle details to their scenes. Dudley gives Angela a strong personality that lingers even after the presence inside her starts to take over. As a result, the actors are able to flesh out their characters. This means that the film quietly unnerves the audience from the start, using CCTV footage and some enjoyably scary touches that add to the atmosphere. As it continues, the biblical and fantastical flourishes intriguingly fit into this context, while director Mark Neveldine delays tipping over into effects-based action until the final act. The screenplay cleverly weaves in news reports and current events to make everything that happens feel grounded in real life.

And when Bruun arrives in America to meet Angela in person, he's unnerved to discover that this might not be a demon: she could be the Antichrist. But things spiral far beyond Lozano's expertise, so he calls the Vatican for help. As her behaviour gets more erratic, she is assisted by Father Lozano ( Michael Pena), who takes a personal interest in her case. She has a happy life with her cute boyfriend Pete ( John Patrick Amedori) and tough-but-kind dad Roger ( Dougray Scott), but starts acting a bit strange whenever a raven is nearby.

It contains files and lots of tapes of demonic possession, including scenes of 30-year-old Angela (Olivia Taylor Dudley).

#The vatican tapes 2015 trailer archive

The title refers to a secret archive under the Vatican run by Cardinal Bruun ( Peter Andersson) and his assistant Imani ( Djimon Hounsou). Even so, the plot builds slowly, finally reaching its most intriguing twist right at the very end, so the credits start rolling just as things get properly riveting. Not only is it packed with demonic mayhem, but the complex characters make the drama much punchier, setting up the audience for several big jolts. With its above-average cast and a gritty, realistic tone, this exorcism thriller is a lot more involving than most.